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  <title>La Boheme Quarterly</title>
  <subtitle>A literary and art magazine at the crossroads of Western letters and Yoruba artistic tradition. Belles Lettres, Essays, Yoruba Art, Modern Masters.</subtitle>
  <link href="https://lagboheme.com/feed.xml" rel="self"/>
  <link href="https://lagboheme.com/"/>
  <updated>2026-05-12T00:00:00.000Z</updated>
  <id>https://lagboheme.com/</id>
  <author>
    <name>Omololu Adeniran</name>
  </author>
  <entry>
    <title>Must We Burn Sade? — Simone de Beauvoir and the Paradox of the Divine Marquis</title>
    <link href="https://lagboheme.com/articles/belles-lettres/must-we-burn-sade"/>
    <id>https://lagboheme.com/articles/belles-lettres/must-we-burn-sade</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Belles Lettres"/>
    <summary>The Marquis de Sade through the lens of Simone de Beauvoir&#39;s essay — philosophy, paradox, and the conscience of the conscienceless libertine. An essay by Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>Oscar Wilde’s Last Stand — Triumphs, Trials, Tales</title>
    <link href="https://lagboheme.com/articles/belles-lettres/oscar-wilde-last-stand"/>
    <id>https://lagboheme.com/articles/belles-lettres/oscar-wilde-last-stand</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Belles Lettres"/>
    <summary>Oscar Wilde as unconscious dialectician — from the drawing rooms of London to the depths of Reading Gaol. An essay by Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>Victor Serge: Writing for the Desk Drawer No More</title>
    <link href="https://lagboheme.com/articles/belles-lettres/victor-serge-desk-drawer"/>
    <id>https://lagboheme.com/articles/belles-lettres/victor-serge-desk-drawer</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Belles Lettres"/>
    <summary>Victor Serge (1890–1947) — anarchist, Bolshevik, dissident, exile, novelist. The revolutionary writer who survived Stalinism and exile, and whose manuscripts endured. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>William Hazlitt’s Familiar Style</title>
    <link href="https://lagboheme.com/articles/belles-lettres/william-hazlitt-familiar-style"/>
    <id>https://lagboheme.com/articles/belles-lettres/william-hazlitt-familiar-style</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Belles Lettres"/>
    <summary>An essay on William Hazlitt, the greatest essayist of the Romantic era — radical journalist, literary critic, and master of the familiar style. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Ancient Masters — Mesopotamia, Egypt, Greece, and Rome</title>
    <link href="https://lagboheme.com/articles/essays/ancient-masters"/>
    <id>https://lagboheme.com/articles/essays/ancient-masters</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Essays"/>
    <summary>An art-historical essay on ancient sculpture from Egypt, Greece, and Rome, tracing the evolution from afterlife emphasis to narrative drama to portrait realism. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Fine Sculptures — The Greatest of All the Arts</title>
    <link href="https://lagboheme.com/articles/essays/fine-sculptures"/>
    <id>https://lagboheme.com/articles/essays/fine-sculptures</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Essays"/>
    <summary>An essay on the greatest sculptures of the Renaissance and Baroque periods, from Michelangelo&#39;s Moses to Bernini&#39;s Pluto and Proserpina, exploring how masters made stone and bronze come alive. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Marx Through Lenin — A History of Socialism</title>
    <link href="https://lagboheme.com/articles/essays/marx-through-lenin"/>
    <id>https://lagboheme.com/articles/essays/marx-through-lenin</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Essays"/>
    <summary>An essay tracing socialism from Marx&#39;s early writings through the Communist Manifesto, the development of Marxist theory, and Lenin&#39;s contributions to revolutionary practice. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Characters of Shakespeare’s Plays — The Best Hazlitt Excerpts</title>
    <link href="https://lagboheme.com/articles/literary-excerpts/hazlitt-shakespeare-plays"/>
    <id>https://lagboheme.com/articles/literary-excerpts/hazlitt-shakespeare-plays</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Literary Excerpts"/>
    <summary>Selected excerpts from William Hazlitt&#39;s Characters of Shakespeare&#39;s Plays — his celebrated essays on Hamlet, Macbeth, Othello, King Lear, and the comedies. Selected by Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>“I Shall Not Serve” — Joyce &amp; Nigerian Freedom</title>
    <link href="https://lagboheme.com/articles/literary-excerpts/joyce-i-shall-not-serve"/>
    <id>https://lagboheme.com/articles/literary-excerpts/joyce-i-shall-not-serve</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Literary Excerpts"/>
    <summary>The Christmas Dinner passage from James Joyce&#39;s Portrait of the Artist as a Young Man — an &#39;unfortunate priest-ridden race.&#39; Excerpts selected and introduced by Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Strong Opinions — Nabokov’s Best Bits</title>
    <link href="https://lagboheme.com/articles/literary-excerpts/nabokov-strong-opinions"/>
    <id>https://lagboheme.com/articles/literary-excerpts/nabokov-strong-opinions</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Literary Excerpts"/>
    <summary>A curated collection of Vladimir Nabokov&#39;s most memorable observations from Strong Opinions, interviews, and essays. Selected and introduced by Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Prescience — Oscar Wilde on the Decline of Fez</title>
    <link href="https://lagboheme.com/articles/literary-excerpts/oscar-wilde-prescience"/>
    <id>https://lagboheme.com/articles/literary-excerpts/oscar-wilde-prescience</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Literary Excerpts"/>
    <summary>Oscar Wilde&#39;s 1886 review of a Moroccan travel memoir contains an observation about the decline of Fez that remains strikingly relevant. A literary note by Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>Victor Serge’s Finest Lines and Passages</title>
    <link href="https://lagboheme.com/articles/literary-excerpts/victor-serge-finest-lines"/>
    <id>https://lagboheme.com/articles/literary-excerpts/victor-serge-finest-lines</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Literary Excerpts"/>
    <summary>A curated anthology of Victor Serge&#39;s most powerful prose passages from his novels and memoirs — Men in Prison, Birth of Our Power, Conquered City, The Case of Comrade Tulayev, and Memoirs of a Revolutionary. Selected by Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>James Tissot — The Victorian Painter Between Paris and London</title>
    <link href="https://lagboheme.com/articles/modern-masters/james-tissot"/>
    <id>https://lagboheme.com/articles/modern-masters/james-tissot</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Modern Masters"/>
    <summary>James Tissot (1836-1902), the French painter who made his career in Victorian London — from Paris Commune exile to society portraitist to biblical visionary. By Omololu Adeniran.</summary>
  </entry>
  <entry>
    <title>The Best Album Covers — When Jazz Met Graphic Design</title>
    <link href="https://lagboheme.com/articles/music-culture/best-album-covers"/>
    <id>https://lagboheme.com/articles/music-culture/best-album-covers</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Music &amp; Culture"/>
    <summary>An essay on the greatest jazz album cover designs — from Thelonious Monk to Miles Davis, where visual art and musical genius achieve a perfect marriage. By Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>Café La Bohème — On Film, Design, and the Bohemian Impulse</title>
    <link href="https://lagboheme.com/articles/music-culture/cafe-la-boheme"/>
    <id>https://lagboheme.com/articles/music-culture/cafe-la-boheme</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Music &amp; Culture"/>
    <summary>On The Dreamers, Buñuel, and the bohemian rejection of bourgeois comfort — an editorial manifesto by Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>Critical Points — The Moments That Separate the Great from the Merely Good</title>
    <link href="https://lagboheme.com/articles/music-culture/critical-points"/>
    <id>https://lagboheme.com/articles/music-culture/critical-points</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Music &amp; Culture"/>
    <summary>A curated listening guide to the transcendent moments in music — the horn entries, vocal phrases, and rhythmic shifts that segregate the mediocre from the great. By Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>I Still Love Mingus — Bass, Piano, and the Depths of Sublimity</title>
    <link href="https://lagboheme.com/articles/music-culture/i-still-love-mingus"/>
    <id>https://lagboheme.com/articles/music-culture/i-still-love-mingus</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Music &amp; Culture"/>
    <summary>A love letter to Charles Mingus — bassist, composer, bandleader, pianist. On frenetic arrangements, sublime interpretations, and one of the greatest composers in jazz. By Omololu Adeniran for La Boheme Quarterly.</summary>
  </entry>
  <entry>
    <title>The Ife Bronze &amp; Terracotta Heads</title>
    <link href="https://lagboheme.com/articles/yoruba-art/ife-bronze-terracotta"/>
    <id>https://lagboheme.com/articles/yoruba-art/ife-bronze-terracotta</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Yoruba Art"/>
    <summary>The discovery of the Ife bronze and terracotta heads by Leo Frobenius in 1910-12 — naturalistic masterpieces of lost-wax casting dating to the 12th-14th century that astonished the world.</summary>
  </entry>
  <entry>
    <title>Solomon Knots, Interlace Patterns &amp; the Corpus of Yoruba Art</title>
    <link href="https://lagboheme.com/articles/yoruba-art/solomon-knots-interlace-patterns"/>
    <id>https://lagboheme.com/articles/yoruba-art/solomon-knots-interlace-patterns</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Yoruba Art"/>
    <summary>An artistic history of the Yoruba people — tracing the Solomon Knot interlace motif across Ife bronzes, Benin brass casting, and Owo ivory carving traditions.</summary>
  </entry>
  <entry>
    <title>Yoruba Ivories — Owo Art</title>
    <link href="https://lagboheme.com/articles/yoruba-art/yoruba-ivories"/>
    <id>https://lagboheme.com/articles/yoruba-art/yoruba-ivories</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Yoruba Art"/>
    <summary>Owo Art — lidded cups, masks, carvings. The virtuosity of Owo&#39;s ivory carvers, ceremonial swords, and the courtly regalia of the Olowo.</summary>
  </entry>
  <entry>
    <title>Yoruba Textiles — Origins and Evidence</title>
    <link href="https://lagboheme.com/articles/yoruba-art/yoruba-textiles"/>
    <id>https://lagboheme.com/articles/yoruba-art/yoruba-textiles</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Yoruba Art"/>
    <summary>Ijebu Aso Olona, Aso Ofi, Adire, Beaded Crowns and Robes — the rich textile traditions of the Yoruba peoples, from narrow-strip loom weaving to indigo-dyed resist cloth and royal beaded regalia.</summary>
  </entry>
  <entry>
    <title>Yoruba Woodworking in General</title>
    <link href="https://lagboheme.com/articles/yoruba-art/yoruba-woodworking"/>
    <id>https://lagboheme.com/articles/yoruba-art/yoruba-woodworking</id>
    <published>2026-01-15T00:00:00.000Z</published>
    <updated>2026-05-12T00:00:00.000Z</updated>
    <author><name>Omololu Adeniran</name></author>
    <category term="Yoruba Art"/>
    <summary>Ifa divination boards, monumental doors, veranda posts, Epa and Gelede masks, Sango wands, Ibeji twin figures — the breadth and depth of Yoruba woodcarving traditions from Olowe of Ise to Lamidi Fakeye.</summary>
  </entry>
</feed>
